Matthew's World of Wine and Drink

About Matthew's World of Wine and Drink.

This blog began as a record of taking the WSET Diploma, during which I studied and explored wines and spirits made all around the world. Having passed the Diploma and become a WSET Certified Educator, the blog has become much more: a continual outlet for my passion for the culture of wine, spirits, and beer.

I aim to educate in an informal, enlightening, and engaging manner. As well as maintaining this blog to track my latest enthusiasms, I provide educational tastings for restaurants and for private groups. Details can be found on the website, and collaborations are welcome.

Wine is my primary interest and area of expertise and this blog aims to immerse the reader in the history of wine, to understand why wine tastes like it does, and to explore all the latest news. At the same time, beer and spirits will never be ignored. 

For the drinker, whether casual or professional, today is a good time to be alive.


I often get asked about screwcaps, particularly here in the US where most bottles are still stopped with corks. Screwcaps are slowly beginning to emerge for less expensive wines, but consumers still prefer corks, associating them with high quality as well enjoying that sound of a cork being pulled. Elsewhere in the New World, screwcaps are much more common: in New Zealand, around 70% of wines have a screwcap closure. I once met the actor Sam Neill, who owns the Two Paddocks winery in Central Otago, and asked him why he didn't use corks and he pulled a face of dramatic disgust, "You can never trust a cork."

The reason for his disgust was, of course, because corks have a tendency to become infected with TCA. As I wrote in a previous blog, TCA is a chemical compound that makes a wine smell and taste bad and comes from cleaning the cork with chlorine or unclean winemaking practices. This was an especially problematic issue in the 1990s, when possibly up to 10% of wines were infected with TCA. Things have got a lot better since then as the cork industry has worked hard to remedy the problem, but there's still a 2-5% chance of a wine being faulty, whereas with a screwcap that's nearly zero.

So why doesn't everyone use a screwcap?

The downside to screwcaps is that they arguably don't allow a wine to age as well as a cork does. A cork lets small amounts of oxygen to permeate into the bottle, allowing the wine to breathe, develop, and mature. A screwcap, again arguably, does not allow a wine to develop the same complexity as it is completely airtight.

Many wineries are experimenting and coming to different conclusions. A few years ago, I visited the Andrew Will winery in Washington and the maverick, charismatic owner and winemaker Chris Camarda kindly poured me two versions of the 2008 Sorella, one of the great wines of the US. One bottle had been stopped with a cork (which is how the wine is sold) and the other closed with a screwcap. The differences were subtle, but the screwcap bottle was fruitier while the cork bottle felt more integrated and complex, with spicier and more oak flavours. That confirmed my impressions that a bottle stopped with a cork ages more gradually and complexly than with a screwcap. That was again confirmed by the recent decision of a leading Chablis producer, Laroche, to switch back to cork for their Grands Crus, having used screwcap since the mid-2000s but feeling that the wines were not ageing as gracefully as they would have wished.

it's complicated

However, as with everything in life, it's complicated. Last week my wife and I opened a 2006 bottle of Chardonnay from New Zealand producer Kumeu River (pronounced Q-mew River), based near Auckland where an increasing amont of quality Chardonnay is being made. Although they're a good producer (the owner and winemaker, Michael Brajkovich, is a Master of Wine), I wasn't expecting that much from a ten-year-old Chardonnay bottled with a screwcap. Quite the opposite: it was sensational. It was incredibly fresh - perhaps because of the screwcap - with rich, fruity green apple and citrus aromas, and a smokiness coming from oak. And - despite the screwcap - it had a slight nuttiness that I would normally associate with slow oxidation, something that with a cork may have been more pronounced. On the back of the label, Brajkovich stated that the wine would age for four to six years. Ten years later, it's still going strong, which shows how much we have to learn. One thing I can say, though: opening a screwcap is a lot easier and quicker than pulling a cork...

Central Otago

Central Otago